Performance by Marko Marković and Lim Jang deals with the transformation of a text in the process of repetitions and translations. The artists repetitively perform a poem published in 1994 by Korean poet Choi Young-Mi, a fierce fighter for liberty and women's rights within the political and cultural context of South Korea.

To Be Alone (Hot blood soup) was translated from Korean into English, and then to Croatian and Serbian. Despite the inevitable rewriting that takes place when a work of poetry is to be translated, two unauthorized translators gave their best to keep the original meaning and sound of the poem through the collective process of going back and forth between the languages.

In the context of the curatorial: when the monuments come to life - refreshing the memory, the performance is precisely a "revival of memorials”. Spoken words bring the text to life in a completely different surrounding from when/where it was written. But has the meaning completely changed during the transmission process? The site of the performance speaks of present-day social circumstances and the danger in politics of revisionism which influences and modifies historical facts and the legacy of antifascist struggle throughout history. In such a time, how can the attempts of recollection be even close to being representative of the original that is no longer available?

Through the durational performance, the artists attempt to deliver the spirit of the original text, which is absent at the site of the performance. Through multiple (h)istories, through spoken words with a will to remember and deliver narratives on what already took place, maybe we can fight the political revisionism so prevalent today.