What persists to remain and on which ground?

What is said and what is left behind? What is there?

I mean, really there... What can we read?

What do we want to see?

What happens when such projection of desire takes part in the courses of the recording process?

 

"The trick of elimination is every expert’s defensive reflex."

 

- Quote by Stanislaw Lem from the epigraph of Air war and Literature by W.G. Sebald